For pink to label something that is not power, strength or courage but this movie outcast the belief of opinions and highlights the most talked but least understood scenario of harassment in its true sense, it comes with a critic storyline of how a power in hands and ignorance for its norms lays a domino of struggle, insult and false accusation to the victims portrayed as verdicts by the accused, all in name of power and privilege to belong to family who accepts and supports harassment by not labeling as crime but, mistake. PINK: the name carries the misogyny of the deliberate and frail portrait painted for all women out there in world. SLB ne audience se mohabbat ki hai, aiyyashi nahi! Mohabbat ka koi mazhab nahi hota, mohabbat khud mein ek mazhab hai. The story, screenplay, music, humour, grandeur and the stars are worth not one but two visits to the theatre. There's no reason why you shouldn't watch Bajirao Mastani. Anju Modi should better start designing clothes for lay people or else women will have to burn their pockets for a gazillion years. He has struck the right chords for marathi, devotional and soulful music. Sanjay Leela Bhansali is the God of music for such films and only he can do this.
A special mention for Milind Soman who gives the right intensity to all the scenes with Ranveer and the little Shamsher Bahadur (Mastani and Bajirao's son) who will make you go aww with his breathtaking dialogue delivery as a toddler. Tanvi Aazmi as his Maa Saheb is outstanding. He infuses the right amount of energy in every scene with his wit and arrogance.
This man's talent has been amazingly trapped by SLB. Ranveer Singh can prepare his award winning speeches for this season as the best actor as the blazing Bajirao. Priyanka Chopra shines as Kashibai, a very valiant character which she plays with the right amount of valid cynicism that a married woman goes through if her man loves another woman. Her dance not only in this song but Kathak in Rang de mohe Lal is exceptional. You just can't tell where to look during the Deewani Mastani song, because grand is an understatement for the sets and Deepika. Even Aishwarya Rai wouldn't have delivered such a fearless performance with blazing eyes like her! With this she reinstates that she is the reigning queen of Hindi Film industry right now.
Not even Aashutosh Gowarikar who has tried his hands at making period films.ĭeepika Padukone is the best Mastani which SLB could get. And I don't see anyone beating that anytime soon. Every frame and believe me I'm not exaggerating, is breath taking!įrom the jhoomar to the bleeding eyes of Bajirao, this film has set a new milestone in Hindi cinema. I don't remember watching any movie which has swept me off my feet in every frame because the whole movie looks like a picturesque voyage. Sanjay Leela Bhansali is the baap of grand sets in Indian Cinema. The story however is about the battle of life that we fight with our loved ones and not those on battlefields. Interestingly, he's already married to Kashibai who is an exceptionally strong woman (quite likely of Marathi women). Par excellence special effects with outstanding background score and music make Bajirao a sure shot winner!īajirao, who has won countless battles in life, loses his heart to the warrior princess of Bundelkhand. I don't know where to begin this review because everything about Sanjay Leela Bhansali's labour of love - Bajirao Mastani was bloody brilliant!įrankly, Indians have definitely not seen something like this before.
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